I know that practically every sane person knows that a confirmation of wokeness in entertainment is a confirmation of a looming commercial failure and poor audience reception... in most cases. I am not gonna lie and I know I'm not alone here, but this shit does get on my nerves. Article in question.
Look, I know that having this opinion automatically makes me a white supremacist, but I do think there is absolutely nothing wrong with having white people or a largely white cast in anime film adaptations. All of those who shares Marty's sentiments shouldn't take it from me. They should take it from the Japanese. A lot of Japanese people do not understand why westerners (particularly white people, ho ho) are so aggravated by this "whitewashing" non-issue.Originally Posted by Marty Adelstein
I know I've talked about the Ghost in the Shell adaptation a few times before and I'm going to talk about it again because I do love it. It was a commercial flop, but that is largely thanks to vocal minorities who influenced media outlets into slamming it, and white critics decrying this horrifying whitewashing in unison. Oh the humanity.
I watched it in 3D a few days back which was incredible but I'm not (only) mentioning GitS to sing its praises. I'm doing so because GitS's anime director enjoyed the adaptation and so did the Japanese. An argument doesn't really hold much water when the people you're "fighting for" don't agree with you and enjoy seeing a mostly white cast. Not only this, but the director also said that he found the accusations ridiculous, saying that Major (protagonist, played by Scarlett Johansson) doesn't actually have an ethnicity.
How embarrassing...
I'm also going to talk about Alita: Battle Angel that I thoroughly enjoyed last year. (Perhaps something for a get-together?) Once again, similar circumstances. It faced a lot of backlash because of this nonsensical accusation. There are parallels here. Believe it or not, this is even stupider. While I don't know the general Japanese audience's reception, the original manga's author has called this adaptation, and I quote, "the greatest movie in the world". But here's the stupid part. Here you can see the director of the adaptation defending it. Fair enough, but there's just one teeny weeny fact that blows those accusations out of the water: the original manga was set in Kansas. Yup, this outrage mob was arguing in support of something that was entirely untrue anyway, but that's hardly a surprise, is it? The original manga was intentionally an imitation of the United States.
So now we're back to Cowboy Bebop and that Marty guy. So, he's been bending the knee (I guess John Cho already bent his knee but that's neither here nor there) to progressive types because he felt threatened by the aforementioned (and others) examples. The thing is, Netflix was kind of already doing this. They tried to make the fact that Death Note was "diverse" (I mean black L, most of the cast was white) a selling point of sorts. Here's the difference between following an artistic vision and spoiling that by shoehorning an agenda. (Pay attention to the user scores because the critics tend to be on the same wavelength in politics.)
They are decent scores.
When will Netflix realise they're doing it wrong? (Rhetorical question I know.) I honestly don't like to say it but I just know that Cowboy Bebop will crash and burn because this director is correlating "all sort of multiethnic" and "really fun". I have nothing against having minorities in a cast when it's because they're well suited to the role (not only on the shallow basis of skin colour) but when it's done to appease a progressive phantom audience it's basically a death sentence.